Awards and Sales Galore in Hong Kong
  
Korean cinema had a strong showing this week in Hong Kong as it clinched a slew of deals during the Hong Kong International Film & TV Market (FILMART) and a pair of awards from the Asian Film Awards (AFAs) and the Hong Kong – Asian Film Financing Forum (HAF). In addition, 11 Korean films are screening as part of the Hong Kong International Film Festival (HKIFF). All of these events, and more, are staged by the Hong Kong Development and Trade Council (HKTDC).
 
The film festival got underway on Sunday evening with a glitzy gala premiere of the latest 
Ip Man film from Herman YAU and the very next morning business got underway as FILMART and HAF opened their doors. The market floor was teeming with buyers and exhibitors while booths representing Korean companies were out in force. The 
Korean Film Council (
KOFIC) manned an umbrella stand in the middle of the exhibition center and was surrounded by representatives of Korea’s regional film commissions and the country’s major film markets, such as Busan’s Asian Film Market and the Network of Asian Fantastic Films (NAFF).
 
Korean sales companies proved very popular during the week as most of their booths were booked solid with meetings. 
Showbox was showing potential buyers special clips from its upcoming films, including the period action comedy 
The Huntresses (out in May) and the big-budget CG-heavy 
Mr. Go 3D, which was co-produced with China and will bow in July. Buyers also showed great interest in the sophomore works of the filmmakers behind 
Bedevilled (2010) and 
Save the Green Planet (2003): 
JANG Cheol-soo (
Secretly, Greatly) and 
JANG Joon-hwan (
Hwayi), respectively. Showbox is also behind 
YOON Jong-bin’s 
Nameless Gangster: Rules of the Time follow-up 
Kundo: The Age of Rampant, one of this year’s HAF projects.
 
 
Meanwhile, 
CJ Entertainment was very busy, particularly as buyers were curious about 
BONG Joon-ho’s highly anticipated sci-fi extravaganza 
Snowpiercer. A poster for the film was out front and center but as of yet no footage is available for the project. Other films on display from the company were psychic crime thriller 
The Gifted Hands, the MMA action-thriller 
Fist of Legend (out in April) and a variety of genre pics scheduled for later this year such as the influenza film 
Flu and other thrillers such as 
11 AM and 
The Spy: Undercover Operation.
 
Finecut also had a lot to offer this year as their recent box office behemoth (12.5 million admissions and counting) 
Miracle in Cell No. 7 sold to Comstock Group (Japan), Flash Forward Entertainment (Taiwan), Intercontinental Film Distributors (Hong Kong) and JoyNContents (Thailand). In addition, the melodrama 
Love 911 scored deals with Twin (Japan), Eagle International (Taiwan) and Lotte Cinema (Vietnam). At FILMART, however, the film on most people’s lips was 
New World, the hit gangster thriller from 
PARK Hoon-jung. It  already sold to Well Go USA during the European Film Market and a slew of buyers and festival programmers showed interest in the critically acclaimed film during the week. In addition, Finecut was also handling 
Nobody’s Daughter Haewon, the new 
HONG Sangsoo film.
 
 
 
Monday night played host to the star-studded 7th Asian Film Awards. A number of Korean films were nominated for the awards show, including 
Pieta (3 nominations), 
Nameless Gangster: Rules of the Time (6 nominations) and 
The Thieves (3 nominations), while 
Doomsday Book, 
A Werewolf Boy and
 R2B: Return to Base each received a nomination a piece. In the end, the only Korean film to prevail was 
KIM Ki-duk’s 
Pieta as its lead actress 
CHO Min-soo was honored with the People’s Choice Award for Favorite Actress.
 
The Hong Kong – Asian Film Financing Forum (HAF) featured two Korean projects this year. The previously mentioned YOON Jong-bin period actioneer 
Kundo: The Age of the Rampant, starring 
HA Jung-woo and 
GANG Dong-won, was seeking pre-sales ahead of its production. Meanwhile, 
JANG Kun-jae’s 
Sleepless Night follow-up 
All About You (working title), produced by Naomi KAWASE and shot in Japan, was hoping to secure funding during the week. JANG’s project wound up winning the Wouter Barendrecht Award, a cash prize worth $6,410 (HK$50,000).
 
FILMART closed its doors late yesterday afternoon and once the dust settles as the booths are packed up and everyone goes home, we will no doubt learn of the many more deals that were clinched during the busy market week.